Skip to navigation Skip to main content

Cassi Namoda

Cassi Namoda is a painter whose work interweaves the personal with the historical. Born in Maputo and having lived in several different countries throughout her life, Namoda’s nomadic lifestyle and multicultural identity has long informed her work. She originally studied cinema and considers narrative frameworks, storytelling and the presence of imagined characters to be significant elements in her visual practice. Reference images often serve as a starting point for her painting process: she is drawn to photographs that recall film-stills, images that echo ordinary yet profound moments of everyday life. Combining personal memories with archival references, she creates works that attempt to access emotional interiority and communicate human experience in all its subtlety. The duality between past and present, colonialism and post-colonialism, Africa and Europe, spiritual traditions and a globalised world is a latent force in her most recent paintings. An engagement with—and probing of—art history is a way of confronting the nuances inherent in conflicting ideologies and mutable identities. Her works include frequent references to modern art history, at once challenging and venerating the canon. She relates expressionism to emotional intensity, dissonant tones and figural distortions, while surrealism manifests itself through an embrace of magical realism or through themes borrowed from tribal art.

Cassi Namoda (b. 1988, Maputo, Mozambique) currently lives and works in Italy. Recent group exhibitions were held at Wellcome Collection, London (2024), and MoMu, Antwerp (2023). Recent solo exhibitions were held at the Cranford collection, London (2024); and the Norval Foundation, Cape Town (2024). In May 2025, Namoda will be presenting her solo exhibition at Turner Contemporary, Margate, UK. Namoda’s work also features in When We See Us, a major travelling exhibition exploring a century of Pan-African figurative painting at Bozar, Brussels (2025); and in the Sharjah Biennale, Sharjah, UAE (2025). Namoda’s work is in the public collections at Pérez Art Museum Miami, FL; Baltimore Museum of Art, Baltimore, MD; MACAAL, Marrakesh; Long Museum, Shanghai; and the Studio Museum, Harlem, NY, among others. In 2023, she was a resident at Thread Senegal — Josef and Anni Albers Foundation, Sinthian, Senegal; and in 2025, she will join the residency at the NESR Foundation, Luanda, Angola.

Download full biography Updated

Selected Images

  • The longitude of love, 2024

    More info
  • The Equator's Forfeit, 2024

    More info
  • Labor and repair in Ilha de Angoche, 2024

    More info
  • Mango season, 2022

    More info
  • New arrangements in Bar Texas, 2022

    More info
  • Young dancers of Ilha, 2022

    More info
  • The world is not what exists but what happens, 2022

    More info
  • A Romantic girl with red bow, 2022

    More info
  • No luck with romance in the tropics, 2022

    More info
  • At the breast, at the motherhood (the place where your mother originates), 2022

    More info
  • We delight in eartly offerings, a good rain shower has arrived in Quelimane today, 2021

    More info
  • Suffering from the whale's illness, 2021

    More info
  • Mussiro women, Ilha de Ibo I, 2020

    More info
  • Womb, 2020

    More info
  • Little is Enough for Those with Love/Mimi Nakupenda, 2019

    More info

Selected media

  • In conversation with Sandrine Colard

    On the occasion of The Equator's Forfeit (2024)

  • In conversation with Diana Campbell

    On the occasion of Tropical Depression (2022)

Exhibitions